![]() 5 second rated recycle time.įlash Range: Rated 24 feet (7.2m) at ISO 100.įlash Modes: All the usual: Auto, ON, Off, Redeye, and Slow Sync. Without a DX code on the film canister, the Minilux defaults to ISO 100.įlash: Built-in, rated GN 36 feet (11 meters). ISO: No manual settings reads DX only from ISO 25 ~ ISO 5,000. Meter Range: LV 2.5 ~ 16.5: 1 second at f/2.4 to 1/400 at f/16.Įxposure Modes: Professional ( P, previously known as program) and aperture-priority, only.Įxposure Lock: With half-press of shutter.Įxposure Compensation: ☒ stops in ½ stop steps. Sensor is a hole in the body next to the lens. Shutter: 1 ~ 1/400 second and Bulb, not to exceed about 99 seconds. Multicoated.įinder: Tiny 0.35x magnification. Conventional Gauss-derived 6 elements in 4 groups. Intro Specs Compared Performance Usage Recommendations I wish every camera were this well thought out. It's easy to select a guessed-at manual focus distance, or to select an aperture in aperture-priority mode: just do it. ![]() The frame numbers run in the conventional direction, but you'll have to orient your slide mounts upside-down from your SLR and Leica M rangefinder cameras. The pictures are upside-down because the film is loaded upside-down and runs backwards through the camera. ![]() It is reasonably quiet and sounds like it's muted with rubber mounts. Good luck.įor serious shooters, the rewind time is a slow 45 seconds. If you hold down the EV button too long, or press it too many times, and miss the value you want, you have to run through them all again. There is no way to attach a shoulder strap there is only one hole for a girly wrist strap.Įxposure compensation is screwy to set: you must hold down the EV button for several seconds until the value blinks, then successive presses cycle through 0.0, +0.5, +1.0, +1.5, +2.0, -2.0, -1.5, -1.0, -0.5 and back to 0.0. The top LCD keeps blinking the exposure last measured, so you can take your finger off the shutter safely as you remove the Minilux from your eye to look at the top. It alternates between them twice as fast as other cameras would, which makes it easy to check the set exposure quickly. The Minilux has a nice top-panel exposure readout: even in Professional ( P) mode, the top LCD panel quickly alternates between the chosen aperture and shutter speeds. My biggest complaint about the Minilux its pathetically tiny 0.35x finder, about one-third the size (one-eighth the area) of a disposable camera like the Fuji QuickSnap. The Minilux' flash and its exposure is also excellent, even for demanding transparency film. The Minilux is sharp, focuses and exposes accurately and consistently. The Minilux is far superior to the Minilux Zoom. If you can get over the lack of filters (I can't because it means poor color balance in color, and poor contrast in black-and-white), and its parenthetically tiny viewfinder, the Minilux works extremely well for shooting pro film like Fuji Velvia 50 slide film. Leica eventually replaced it with the Leica CM, which added a hot shoe. It was intended for amateurs shooting only print film. It's not intended for serious photography because there is no good way to attach filters. ![]() It's a great performer as point-and-shoots go, but it has a tiny viewfinder. The Leica Minilux is a Japanese point-and-shoot introduced about 1995. ![]()
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